The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 117
... philosophy has preferred a distinct type , and upon this has built the rest of the construction . In the time of Giotto , painter of solid and in- dependent bodies , philosophy believed that the ultimate and definitive reality were ...
... philosophy has preferred a distinct type , and upon this has built the rest of the construction . In the time of Giotto , painter of solid and in- dependent bodies , philosophy believed that the ultimate and definitive reality were ...
Pagina 119
... philosophy of the Renaissance , reaches its extreme consequences in the radical sensationalism of Avenarius and Mach . How can this continue ? What new philosophy is possible ? A return to primitive realism is unthinkable ; four ...
... philosophy of the Renaissance , reaches its extreme consequences in the radical sensationalism of Avenarius and Mach . How can this continue ? What new philosophy is possible ? A return to primitive realism is unthinkable ; four ...
Pagina 135
... philosophy comes to that which has always inspired my writings - among other things , be- cause Heidegger's work is not yet finished , nor , on the other hand , have my ideas been adequately developed in print . But I am obliged to say ...
... philosophy comes to that which has always inspired my writings - among other things , be- cause Heidegger's work is not yet finished , nor , on the other hand , have my ideas been adequately developed in print . But I am obliged to say ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth