The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 106
... vision . This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ...
... vision . This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ...
Pagina 110
... point of view . The painter must now see his entire work as immersed in the ample element of light . Thus Ribera , Caravaggio , and the young Velás- quez ( The Adoration of the Magi ) . They still seek for corporeality according to ...
... point of view . The painter must now see his entire work as immersed in the ample element of light . Thus Ribera , Caravaggio , and the young Velás- quez ( The Adoration of the Magi ) . They still seek for corporeality according to ...
Pagina 114
... point of view . It would seem that in fixing upon the object nearest the cornea , the point of view is as close as possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even ...
... point of view . It would seem that in fixing upon the object nearest the cornea , the point of view is as close as possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth