The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
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Pagina 19
It then appears that the artist of 1860 wanted nothing so much as to give to the
objects in his picture the same looks and airs they possess outside it when they
occur as parts of the “ lived " or " human ” reality . Apart from this he may have
been ...
It then appears that the artist of 1860 wanted nothing so much as to give to the
objects in his picture the same looks and airs they possess outside it when they
occur as parts of the “ lived " or " human ” reality . Apart from this he may have
been ...
Pagina 87
By virtue of a purely aesthetic necessity the novel must be impervious , it must
possess the power of forming a precinct , hermetically closed to all actual reality .
From this condition there follows , among many other consequences , that the ...
By virtue of a purely aesthetic necessity the novel must be impervious , it must
possess the power of forming a precinct , hermetically closed to all actual reality .
From this condition there follows , among many other consequences , that the ...
Pagina 167
Observe that this marvelous faculty which man possesses of temporarily freeing
himself from his slavery to things implies ... Because ideas possess the most
extraordinary condition of being nowhere in the world , of being outside of all
places ...
Observe that this marvelous faculty which man possesses of temporarily freeing
himself from his slavery to things implies ... Because ideas possess the most
extraordinary condition of being nowhere in the world , of being outside of all
places ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition destiny direction distance drama effect elements essential everything existence fact feel figures follow French German gifts give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 5 nov 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |