The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 87
... possess the power of forming a precinct , hermetically closed to all actual reality . From this condition there follows , among many other consequences , that the novel cannot propagate philosophical , political , sociological , or ...
... possess the power of forming a precinct , hermetically closed to all actual reality . From this condition there follows , among many other consequences , that the novel cannot propagate philosophical , political , sociological , or ...
Pagina 167
... possesses of temporarily freeing himself from his slavery to things implies two very different powers : one , his ... possess the most extraordinary condition of being nowhere in the world , of being outside of all places ; although ...
... possesses of temporarily freeing himself from his slavery to things implies two very different powers : one , his ... possess the most extraordinary condition of being nowhere in the world , of being outside of all places ; although ...
Pagina 173
... possessing it with the certainty with which a constitutive and inalienable quality is possessed , would be sure of being a man as the fish is in fact sure of being a fish . Now this is a formidable and a fatal error . Man is never sure ...
... possessing it with the certainty with which a constitutive and inalienable quality is possessed , would be sure of being a man as the fish is in fact sure of being a fish . Now this is a formidable and a fatal error . Man is never sure ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth