The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 102
... possesses a sharp pro- file ; everything is background , confused , almost formless . On the other hand , the ... possession of it , to emphasize its rotun- dity . Thus the object seen at close range acquires the indefinable ...
... possesses a sharp pro- file ; everything is background , confused , almost formless . On the other hand , the ... possession of it , to emphasize its rotun- dity . Thus the object seen at close range acquires the indefinable ...
Pagina 167
... possesses of temporarily freeing himself from his slavery to things implies two very different powers : one ... possess the most extraordinary condition of being nowhere in the world , of being outside of all places ; although ...
... possesses of temporarily freeing himself from his slavery to things implies two very different powers : one ... possess the most extraordinary condition of being nowhere in the world , of being outside of all places ; although ...
Pagina 173
... possessing it with the certainty with which a constitutive and inalienable quality is possessed , would be sure of being a man as the fish is in fact sure of being a fish . Now this is a formidable and a fatal error . Man is never sure ...
... possessing it with the certainty with which a constitutive and inalienable quality is possessed , would be sure of being a man as the fish is in fact sure of being a fish . Now this is a formidable and a fatal error . Man is never sure ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth