The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 114
... possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even at the cornea , the point of view crosses the last frontier and penetrates into vision itself , into the subject ...
... possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even at the cornea , the point of view crosses the last frontier and penetrates into vision itself , into the subject ...
Pagina 116
... possible only if , leaping behind the retina — a tenuous fron- tier between the external and internal - painting completely reversed its function and , instead of putting us within what is outside , endeavored to pour out upon the ...
... possible only if , leaping behind the retina — a tenuous fron- tier between the external and internal - painting completely reversed its function and , instead of putting us within what is outside , endeavored to pour out upon the ...
Pagina 133
... possible life . The second problem is to weigh the subject's fidelity to this unique destiny of his , to his possible life . This per- mits us to determine the degree of authenticity of his actual life . The matter of the greatest ...
... possible life . The second problem is to weigh the subject's fidelity to this unique destiny of his , to his possible life . This per- mits us to determine the degree of authenticity of his actual life . The matter of the greatest ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth