The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 5
The enemy with whom Romanticism had to fight it out was precisely a select
minority irretrievably sold to the classical forms of the " ancien régime " in poetry .
The works of the romanticists were the first , after the invention of printing , to
enjoy ...
The enemy with whom Romanticism had to fight it out was precisely a select
minority irretrievably sold to the classical forms of the " ancien régime " in poetry .
The works of the romanticists were the first , after the invention of printing , to
enjoy ...
Pagina 44
Art is appreciated precisely because it is recognized as a farce . It is this trait
more than any other that makes the works of the young so incomprehensible to
serious people of less progressive taste . To them modern painting and music are
...
Art is appreciated precisely because it is recognized as a farce . It is this trait
more than any other that makes the works of the young so incomprehensible to
serious people of less progressive taste . To them modern painting and music are
...
Pagina 178
period there are ideas which I would call " fishing " ideas , ideas which are
expressed and proclaimed precisely because it is known that they will not come
to pass ; which are thought of only as a game , as foolishness - some years ago ,
for ...
period there are ideas which I would call " fishing " ideas , ideas which are
expressed and proclaimed precisely because it is known that they will not come
to pass ; which are thought of only as a game , as foolishness - some years ago ,
for ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition destiny direction distance drama effect elements essential everything existence fact feel figures follow French German gifts give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 5 nov 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |