The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 59
... present - day standpoint the primitive novel seems more narrative than the modern . How- ever , this impression may have to be revised . Per- haps a primitive reader resembled a child in that he was capable of seeing in a few lines , in ...
... present - day standpoint the primitive novel seems more narrative than the modern . How- ever , this impression may have to be revised . Per- haps a primitive reader resembled a child in that he was capable of seeing in a few lines , in ...
Pagina 60
... presents its objects alto- gether finished , mummified and , as it were , past . That actuality , that existence in ... present - day novel must be the oppo- site of a story . A story relates events ; the accent is on action . The fresh ...
... presents its objects alto- gether finished , mummified and , as it were , past . That actuality , that existence in ... present - day novel must be the oppo- site of a story . A story relates events ; the accent is on action . The fresh ...
Pagina 100
... its local- ization , that is , the image presents something seen from a definite point of view . This localization of the sensible may be strict or vague , but it is inevitable . A church spire , a sail at sea , present 100.
... its local- ization , that is , the image presents something seen from a definite point of view . This localization of the sensible may be strict or vague , but it is inevitable . A church spire , a sail at sea , present 100.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth