The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 49
... problems more successfully . Among many tongues may be divided the calling of the ten thousand names . But it would not mean improving upon my errors if one tried to correct them by pointing out this or that particular feature omitted ...
... problems more successfully . Among many tongues may be divided the calling of the ten thousand names . But it would not mean improving upon my errors if one tried to correct them by pointing out this or that particular feature omitted ...
Pagina 85
... problems , and emo- tions the book has to offer would seem so small and futile that all their significance would be ... problem of our own political or metaphysical destiny ? No , he must Notes on the Novel 85.
... problems , and emo- tions the book has to offer would seem so small and futile that all their significance would be ... problem of our own political or metaphysical destiny ? No , he must Notes on the Novel 85.
Pagina 137
... problems , but that it consists exclusively in the problem of itself . Obviously Goethe throws us off the track because his idea of life is biological , botanical . Like all the portant thing is that this formula is not accidental but ...
... problems , but that it consists exclusively in the problem of itself . Obviously Goethe throws us off the track because his idea of life is biological , botanical . Like all the portant thing is that this formula is not accidental but ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth