The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 92
... psychology . Imaginary psychology advances in uni- son with scientific psychology and psychological in- tuition which is used in daily life . Now , few things have progressed so much in Europe these last fifty years as the knowledge of ...
... psychology . Imaginary psychology advances in uni- son with scientific psychology and psychological in- tuition which is used in daily life . Now , few things have progressed so much in Europe these last fifty years as the knowledge of ...
Pagina 94
... psychology , just as in mathe- matics , an evidence a priori . Because of this in either field imaginary construction is possible . Where only facts are subject to laws but no laws obtain that regulate the imagination it is impos- sible ...
... psychology , just as in mathe- matics , an evidence a priori . Because of this in either field imaginary construction is possible . Where only facts are subject to laws but no laws obtain that regulate the imagination it is impos- sible ...
Pagina 131
José Ortega y Gasset. a psychologist . He has had the gift of entering into a man and discovering all the clockwork ... psychology . Would that our lives did take place inside ourselves ! Then life would be the easiest thing imaginable ...
José Ortega y Gasset. a psychologist . He has had the gift of entering into a man and discovering all the clockwork ... psychology . Would that our lives did take place inside ourselves ! Then life would be the easiest thing imaginable ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth