The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 92
... psychology . Imaginary psychology advances in uni- son with scientific psychology and psychological in- tuition which is used in daily life . Now , few things have progressed so much in Europe these last fifty years as the knowledge of ...
... psychology . Imaginary psychology advances in uni- son with scientific psychology and psychological in- tuition which is used in daily life . Now , few things have progressed so much in Europe these last fifty years as the knowledge of ...
Pagina 94
... psychology , just as in mathe- matics , an evidence a priori . Because of this in either field imaginary construction is possible . Where only facts are subject to laws but no laws obtain that regulate the imagination it is impos- sible ...
... psychology , just as in mathe- matics , an evidence a priori . Because of this in either field imaginary construction is possible . Where only facts are subject to laws but no laws obtain that regulate the imagination it is impos- sible ...
Pagina 131
José Ortega y Gasset. a psychologist . He has had the gift of entering into a man and discovering all the clockwork ... psychology . Would that our lives did take place inside ourselves ! Then life would be the easiest thing imaginable ...
José Ortega y Gasset. a psychologist . He has had the gift of entering into a man and discovering all the clockwork ... psychology . Would that our lives did take place inside ourselves ! Then life would be the easiest thing imaginable ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth