The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 37
Pagina 11
... pure art is possi- ble . Perhaps it is not ; but as the reasons that make me inclined to think so are somewhat long and difficult the subject better be dropped . Besides , it is not of major importance for the matter in hand . Even ...
... pure art is possi- ble . Perhaps it is not ; but as the reasons that make me inclined to think so are somewhat long and difficult the subject better be dropped . Besides , it is not of major importance for the matter in hand . Even ...
Pagina 16
... pure observation . At one end of the scale the world- persons , things , situations - is given to us in the aspect of " lived " reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must ...
... pure observation . At one end of the scale the world- persons , things , situations - is given to us in the aspect of " lived " reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must ...
Pagina 29
... pure nameless voice breathing into the air the words- those true protagonists of the lyrical pursuit . This pure and nameless voice , the mere acoustic carrier of the verse , is the voice of the poet who has learned to extricate himself ...
... pure nameless voice breathing into the air the words- those true protagonists of the lyrical pursuit . This pure and nameless voice , the mere acoustic carrier of the verse , is the voice of the poet who has learned to extricate himself ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth