The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 11
... pure art is possi- ble . Perhaps it is not ; but as the reasons that make me inclined to think so are somewhat long and difficult the subject better be dropped . Besides , it is not of major importance for the matter in hand . Even ...
... pure art is possi- ble . Perhaps it is not ; but as the reasons that make me inclined to think so are somewhat long and difficult the subject better be dropped . Besides , it is not of major importance for the matter in hand . Even ...
Pagina 29
... pure nameless voice breathing into the air the words- those true protagonists of the lyrical pursuit . This pure and nameless voice , the mere acoustic carrier of the verse , is the voice of the poet who has learned to extricate himself ...
... pure nameless voice breathing into the air the words- those true protagonists of the lyrical pursuit . This pure and nameless voice , the mere acoustic carrier of the verse , is the voice of the poet who has learned to extricate himself ...
Pagina 131
... pure information . We must get over the error which makes us think that a man's life takes place inside himself and that , consequently , it can be reduced to pure psychology . Would that our lives did take place inside ourselves ! Then ...
... pure information . We must get over the error which makes us think that a man's life takes place inside himself and that , consequently , it can be reduced to pure psychology . Would that our lives did take place inside ourselves ! Then ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth