The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 72
... reader , afraid to lose sight of the personages at the crossroads of these contradictory data , sets forth in their pursuit by trying to recon- cile the discrepant facts to make a unified picture . That is , he gets busy to find a ...
... reader , afraid to lose sight of the personages at the crossroads of these contradictory data , sets forth in their pursuit by trying to recon- cile the discrepant facts to make a unified picture . That is , he gets busy to find a ...
Pagina 73
... reader never stumbles upon theatrical props ; he feels from the outset immersed in a sound and effective quasi - reality . For a novel , in contrast to other literary works , must , while it is read , not be conceived as a novel ; the ...
... reader never stumbles upon theatrical props ; he feels from the outset immersed in a sound and effective quasi - reality . For a novel , in contrast to other literary works , must , while it is read , not be conceived as a novel ; the ...
Pagina 83
... reader's daily surroundings and constantly claim his interest . To turn each reader into a temporal " provincial " is the great se- cret of the novelist . Instead of widening the hori- zon - what novelistic horizon could be wider and ...
... reader's daily surroundings and constantly claim his interest . To turn each reader into a temporal " provincial " is the great se- cret of the novelist . Instead of widening the hori- zon - what novelistic horizon could be wider and ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth