The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 16
... reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must make a remark that is essential in aesthetics and without which neither old art nor new art can be satisfactorily analyzed ...
... reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must make a remark that is essential in aesthetics and without which neither old art nor new art can be satisfactorily analyzed ...
Pagina 35
... reality . Yet a tendency resident in human nature prompts us to assume that reality is what we think of it and thus to confound reality and idea by taking in good faith the latter for the thing itself . Our yearning for reality leads us ...
... reality . Yet a tendency resident in human nature prompts us to assume that reality is what we think of it and thus to confound reality and idea by taking in good faith the latter for the thing itself . Our yearning for reality leads us ...
Pagina 133
... reality which can be precisely what it is not , the negation of itself , the void of itself ? Do you not think it ... reality of a human existence . A life viewed in this way , from its inwardness , has no " form . " Nothing seen from ...
... reality which can be precisely what it is not , the negation of itself , the void of itself ? Do you not think it ... reality of a human existence . A life viewed in this way , from its inwardness , has no " form . " Nothing seen from ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth