The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 16
... reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must make a remark that is essential in aesthetics and without which neither old art nor new art can be satisfactorily analyzed ...
... reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must make a remark that is essential in aesthetics and without which neither old art nor new art can be satisfactorily analyzed ...
Pagina 17
... realities " lived " real- ity holds a peculiar primacy which compels us to regard it as " the " reality . Instead of " lived " reality we may say " human " reality . The painter who im- passively witnesses the death scene appears " inhu ...
... realities " lived " real- ity holds a peculiar primacy which compels us to regard it as " the " reality . Instead of " lived " reality we may say " human " reality . The painter who im- passively witnesses the death scene appears " inhu ...
Pagina 35
... reality . Yet a tendency resident in human nature prompts us to assume that reality is what we think of it and thus to confound reality and idea by taking in good faith the latter for the thing itself . Our yearning for reality leads us ...
... reality . Yet a tendency resident in human nature prompts us to assume that reality is what we think of it and thus to confound reality and idea by taking in good faith the latter for the thing itself . Our yearning for reality leads us ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth