The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 90
... reason a novelist should never attack a subject unless he knows it thoroughly . He must produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are . The novel is ...
... reason a novelist should never attack a subject unless he knows it thoroughly . He must produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are . The novel is ...
Pagina 91
... reason the average reader does not understand him . In the beginnings of the novel the difference be- tween good ... reasons why I believe - utterly pessimistic though I feel about the immediate fu- ture of the plastic arts and of ...
... reason the average reader does not understand him . In the beginnings of the novel the difference be- tween good ... reasons why I believe - utterly pessimistic though I feel about the immediate fu- ture of the plastic arts and of ...
Pagina 137
... reason to " vital reason . " Has anyone yet tried - not to draw the most immediate conse- quences from this phrase , but simply to understand its meaning ? People have gone on talking , despite my pro- tests , about my vitalism , but no ...
... reason to " vital reason . " Has anyone yet tried - not to draw the most immediate conse- quences from this phrase , but simply to understand its meaning ? People have gone on talking , despite my pro- tests , about my vitalism , but no ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth