The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 6
... reason for indignation . But when his dislike is due to his failure to understand , he feels vaguely humiliated and this rankling sense of inferiority must be counterbalanced by indignant self - asser- tion . Through its mere presence ...
... reason for indignation . But when his dislike is due to his failure to understand , he feels vaguely humiliated and this rankling sense of inferiority must be counterbalanced by indignant self - asser- tion . Through its mere presence ...
Pagina 91
... reason the average reader does not understand him . In the beginnings of the novel the difference be- tween good ... reasons why I believe - utterly pessimistic though I feel about the immediate fu- ture of the plastic arts and of ...
... reason the average reader does not understand him . In the beginnings of the novel the difference be- tween good ... reasons why I believe - utterly pessimistic though I feel about the immediate fu- ture of the plastic arts and of ...
Pagina 137
... reason to " vital reason . ” Has anyone yet tried - not to draw the most immediate conse- quences from this phrase , but simply to understand its meaning ? People have gone on talking , despite my pro- tests , about my vitalism , but no ...
... reason to " vital reason . ” Has anyone yet tried - not to draw the most immediate conse- quences from this phrase , but simply to understand its meaning ? People have gone on talking , despite my pro- tests , about my vitalism , but no ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth