The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 70
... seem abstract and inefficient , is the true substance of art . The author's or the critic's point of view cannot be the ... seems accidental and extrinsic but in reality forms the essence of the work : the structure of the novel as such ...
... seem abstract and inefficient , is the true substance of art . The author's or the critic's point of view cannot be the ... seems accidental and extrinsic but in reality forms the essence of the work : the structure of the novel as such ...
Pagina 101
... seems clear , per- fectly defined in all its details . Around the object , as far as the limits of the field of vision , there is a zone we do not look at , but which , nevertheless , we see with an indirect , vague , inattentive vision ...
... seems clear , per- fectly defined in all its details . Around the object , as far as the limits of the field of vision , there is a zone we do not look at , but which , nevertheless , we see with an indirect , vague , inattentive vision ...
Pagina 105
... seems to delight in asserting its own rounded vol- ume . Objects in the background receive the same treatment as those of the foreground . The artist contents himself with representing the distant as smaller than the proximate , but he ...
... seems to delight in asserting its own rounded vol- ume . Objects in the background receive the same treatment as those of the foreground . The artist contents himself with representing the distant as smaller than the proximate , but he ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth