The Dehumanization of Art: And Other Writings on Art and Culture |
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Pagina 70
I have often wondered why even experts find it difficult to recognize that form,
which to the uninitiated may seem abstract and inefficient, is the true substance of
art. The author's or the critic's point of view cannot be the same as that of the ...
I have often wondered why even experts find it difficult to recognize that form,
which to the uninitiated may seem abstract and inefficient, is the true substance of
art. The author's or the critic's point of view cannot be the same as that of the ...
Pagina 101
Everything within this zone seems to be situated behind the object; this is why we
call it the "background." But, moreover, this whole background is blurred, hardly
identifiable, without accented form, reduced to confused masses of color.
Everything within this zone seems to be situated behind the object; this is why we
call it the "background." But, moreover, this whole background is blurred, hardly
identifiable, without accented form, reduced to confused masses of color.
Pagina 105
Every object appears unequivocally solid, corporeal, tangible. Covering it is a
polished skin, without pores or growths, which seems to delight in asserting its
own rounded volume. Objects in the background receive the same treatment as
those ...
Every object appears unequivocally solid, corporeal, tangible. Covering it is a
polished skin, without pores or growths, which seems to delight in asserting its
own rounded volume. Objects in the background receive the same treatment as
those ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama existence expressionism fact feel Finland Station French genre German gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ICONOCLASM ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional Trans truth Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art: And Other Writings on Art and Culture Doubleday anchor book, A72 |
| Autore | José Ortega y Gasset |
| Editore | Doubleday a Company, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 5 nov 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |