The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 70
... seem abstract and inefficient , is the true substance of art . The author's or the critic's point of view cannot be the ... seems accidental and extrinsic but in reality forms the essence of the work : the structure of the novel as such ...
... seem abstract and inefficient , is the true substance of art . The author's or the critic's point of view cannot be the ... seems accidental and extrinsic but in reality forms the essence of the work : the structure of the novel as such ...
Pagina 101
... seems clear , per- fectly defined in all its details . Around the object , as far as the limits of the field of vision , there is a zone we do not look at , but which , nevertheless , we see with an indirect , vague , inattentive vision ...
... seems clear , per- fectly defined in all its details . Around the object , as far as the limits of the field of vision , there is a zone we do not look at , but which , nevertheless , we see with an indirect , vague , inattentive vision ...
Pagina 105
... seems to delight in asserting its own rounded vol- ume . Objects in the background receive the same treatment as those of the foreground . The artist contents himself with representing the distant as smaller than the proximate , but he ...
... seems to delight in asserting its own rounded vol- ume . Objects in the background receive the same treatment as those of the foreground . The artist contents himself with representing the distant as smaller than the proximate , but he ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth