The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 70
I have often wondered why even experts find it difficult to recognize that form ,
which to the uninitiated may seem ... has fascinated the critics and prevented
them from penetrating into what , at first sight , seems accidental and extrinsic but
in ...
I have often wondered why even experts find it difficult to recognize that form ,
which to the uninitiated may seem ... has fascinated the critics and prevented
them from penetrating into what , at first sight , seems accidental and extrinsic but
in ...
Pagina 101
If we take up an object , an earthen jar , for example , and bring it near enough to
the eyes , these converge on it . Then , the field of vision assumes a peculiar
structure . In the center there is the favored object , fixed by our gaze ; its form
seems ...
If we take up an object , an earthen jar , for example , and bring it near enough to
the eyes , these converge on it . Then , the field of vision assumes a peculiar
structure . In the center there is the favored object , fixed by our gaze ; its form
seems ...
Pagina 105
Every object appears unequivocally solid , corporeal , tangible . Covering it is a
polished skin , without pores or growths , which seems to delight in asserting its
own rounded volume . Objects in the background receive the same treatment as
...
Every object appears unequivocally solid , corporeal , tangible . Covering it is a
polished skin , without pores or growths , which seems to delight in asserting its
own rounded volume . Objects in the background receive the same treatment as
...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition destiny direction distance drama effect elements essential everything existence fact feel figures follow French German gifts give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 5 nov 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |