The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 14
... seems doubtful whether the two can be said to be present at the same event . It thus becomes clear that one and the same reality may split up into many diverse realities when it is beheld from different points of view . And we cannot ...
... seems doubtful whether the two can be said to be present at the same event . It thus becomes clear that one and the same reality may split up into many diverse realities when it is beheld from different points of view . And we cannot ...
Pagina 70
... seem abstract and inefficient , is the true substance of art . The author's or the critic's point of view cannot ... seems accidental and extrinsic but in reality forms the essence of the work : the structure of the novel as such ...
... seem abstract and inefficient , is the true substance of art . The author's or the critic's point of view cannot ... seems accidental and extrinsic but in reality forms the essence of the work : the structure of the novel as such ...
Pagina 94
... seems convincing when it coincides with cases we have witnessed in life . An awkward thing it would be if the novelist had to rely on the chance experiences of this or that reader of his . Rather we recall that one of the peculiar ...
... seems convincing when it coincides with cases we have witnessed in life . An awkward thing it would be if the novelist had to rely on the chance experiences of this or that reader of his . Rather we recall that one of the peculiar ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth