The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 41
... stands in marked contrast to the irremediable traditional- ism of the Orient . A good deal of what I have called dehumaniza- tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion ...
... stands in marked contrast to the irremediable traditional- ism of the Orient . A good deal of what I have called dehumaniza- tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion ...
Pagina 167
... stand inside himself - or , to use a magnificent word which exists only in Spanish , that man can ensimismarse . Observe that this marvelous faculty which man possesses of temporarily freeing himself from his slavery to things implies ...
... stand inside himself - or , to use a magnificent word which exists only in Spanish , that man can ensimismarse . Observe that this marvelous faculty which man possesses of temporarily freeing himself from his slavery to things implies ...
Pagina 172
... stand within the self tends basically to separate human life from animal life . Because now man , our primigenial man , goes back and again submerges himself in the things of the world , but resisting them , not delivering himself ...
... stand within the self tends basically to separate human life from animal life . Because now man , our primigenial man , goes back and again submerges himself in the things of the world , but resisting them , not delivering himself ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth