The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 62
... SUBSTANCE Our interest has shifted from the plot to the figures , from actions to persons . Now , this trans- ference - let it be noted parenthetically - finds a counterpart in what has , these last twenty years , been happening in ...
... SUBSTANCE Our interest has shifted from the plot to the figures , from actions to persons . Now , this trans- ference - let it be noted parenthetically - finds a counterpart in what has , these last twenty years , been happening in ...
Pagina 118
... substance reap- pears for a moment in Leibniz . These substances are no longer corporeal principles , but quite the reverse : the monads are subjects , and the role of each - a curious symptom - is none other than to represent a " point ...
... substance reap- pears for a moment in Leibniz . These substances are no longer corporeal principles , but quite the reverse : the monads are subjects , and the role of each - a curious symptom - is none other than to represent a " point ...
Pagina 134
... substance consists not in something that already is -like the substance of the Greek philosopher and , more 134.
... substance consists not in something that already is -like the substance of the Greek philosopher and , more 134.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth