The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 63
TWO THEATERS WHY917 NIHYW Not many things illuminate the finer points of
the diversity of French and Spanish destinies so well as the difference of structure
between the classical French theater and the indigenous Spanish theater .
TWO THEATERS WHY917 NIHYW Not many things illuminate the finer points of
the diversity of French and Spanish destinies so well as the difference of structure
between the classical French theater and the indigenous Spanish theater .
Pagina 64
The author and his audience enjoy not so much the passions and the
consequent dramatic entanglements of the personages as the analysis of those
passions ; whereas in the Spanish theater psychological anatomy of sentiments
and ...
The author and his audience enjoy not so much the passions and the
consequent dramatic entanglements of the personages as the analysis of those
passions ; whereas in the Spanish theater psychological anatomy of sentiments
and ...
Pagina 67
This paragraph of Azorín ' s has taught me more about the Spanish theater than
all the books I have read . Inflammable matter the Spanish theater was - that is to
say , a thing as distinct as possible from the norm of perfection the French theater
...
This paragraph of Azorín ' s has taught me more about the Spanish theater than
all the books I have read . Inflammable matter the Spanish theater was - that is to
say , a thing as distinct as possible from the norm of perfection the French theater
...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition destiny direction distance drama effect elements essential everything existence fact feel figures follow French German gifts give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 5 nov 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |