The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 173
... thought , in any sufficing sense of the word , was given to man once and for all , so that without further ado he finds it at his disposal , as a perfect faculty or power , ready to be employed and exercised , as flight was given to the ...
... thought , in any sufficing sense of the word , was given to man once and for all , so that without further ado he finds it at his disposal , as a perfect faculty or power , ready to be employed and exercised , as flight was given to the ...
Pagina 174
... thought having been bestowed upon man , the truth is - a truth which I cannot now properly argue but can only state - that he has continually been creating thought , making it little by little , by dint of a discipline , a culture or ...
... thought having been bestowed upon man , the truth is - a truth which I cannot now properly argue but can only state - that he has continually been creating thought , making it little by little , by dint of a discipline , a culture or ...
Pagina 179
... thought to man as an innate quality - which at first seems to be a hom- age and even a compliment to our species - is , strictly speaking , an injustice . Because there is no such gift , no such gratuity ; thought , on the con- trary ...
... thought to man as an innate quality - which at first seems to be a hom- age and even a compliment to our species - is , strictly speaking , an injustice . Because there is no such gift , no such gratuity ; thought , on the con- trary ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth