The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 41
... tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault stands in inverse proportion to the distance . Keenest con- tempt is felt for ...
... tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault stands in inverse proportion to the distance . Keenest con- tempt is felt for ...
Pagina 74
... tion , it is true - as the string of a necklace , the ribs of an umbrella , the poles of a tent . My thesis is that in the novel the so - called dra- matic interest has no aesthetic value but forms a mechanical necessity . The reason ...
... tion , it is true - as the string of a necklace , the ribs of an umbrella , the poles of a tent . My thesis is that in the novel the so - called dra- matic interest has no aesthetic value but forms a mechanical necessity . The reason ...
Pagina 174
... tion , a millennial effort over many millennia , with- out having yet succeeded - far from it ! -in finishing his work . Not only was thought not given to man from the first , but even at this point in history he has only succeeded in ...
... tion , a millennial effort over many millennia , with- out having yet succeeded - far from it ! -in finishing his work . Not only was thought not given to man from the first , but even at this point in history he has only succeeded in ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth