The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 41
... tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault stands in inverse proportion to the distance . Keenest con- tempt is felt for ...
... tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault stands in inverse proportion to the distance . Keenest con- tempt is felt for ...
Pagina 50
... tion of those pioneers may be justified , and yet they provide no sufficient reason for condemning them . The objections would have to be supple- mented by something positive : a suggestion of an- other way for art different from ...
... tion of those pioneers may be justified , and yet they provide no sufficient reason for condemning them . The objections would have to be supple- mented by something positive : a suggestion of an- other way for art different from ...
Pagina 184
... tion is to descend and he falls back into animality . Such is the spectacle , always the same , of every epoch in which pure action is deified . The stage is filled with crimes . Human life loses value , is no longer regarded , and all ...
... tion is to descend and he falls back into animality . Such is the spectacle , always the same , of every epoch in which pure action is deified . The stage is filled with crimes . Human life loses value , is no longer regarded , and all ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth