The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 40
... traditional styles seems to require somewhat of an effort . As it is , the development of art from Romanticism to this day cannot be understood unless this nega- tive mood of mocking aggressiveness is taken into account as a factor of ...
... traditional styles seems to require somewhat of an effort . As it is , the development of art from Romanticism to this day cannot be understood unless this nega- tive mood of mocking aggressiveness is taken into account as a factor of ...
Pagina 41
... traditional- ism of the Orient . A good deal of what I have called dehumaniza- tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault ...
... traditional- ism of the Orient . A good deal of what I have called dehumaniza- tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault ...
Pagina 125
... traditional weapons ; but when we take them up , we find that they are rubber daggers , inade- quate gestures , theatrical " props " which shatter on the hard bronze of our future , of our problems . And suddenly we feel disinherited ...
... traditional weapons ; but when we take them up , we find that they are rubber daggers , inade- quate gestures , theatrical " props " which shatter on the hard bronze of our future , of our problems . And suddenly we feel disinherited ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth