The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 35
... truth and at best , he has set down on the canvas a schematic selection , arbitrarily decided on by his mind , from ... truth and nothing but the truth , and failure would no longer be inevitable . In foregoing to emulate reality the ...
... truth and at best , he has set down on the canvas a schematic selection , arbitrarily decided on by his mind , from ... truth and nothing but the truth , and failure would no longer be inevitable . In foregoing to emulate reality the ...
Pagina 174
... truth is - a truth which I cannot now properly argue but can only state - that he has continually been creating thought , making it little by little , by dint of a discipline , a culture or cultiva- tion , a millennial effort over many ...
... truth is - a truth which I cannot now properly argue but can only state - that he has continually been creating thought , making it little by little , by dint of a discipline , a culture or cultiva- tion , a millennial effort over many ...
Pagina 186
... truth . Without a certain margin of tran- quillity , truth succumbs . Hence , faced with the incitements to alteración which today reach us from every point of the com- pass and from every department of life , I believed that I should ...
... truth . Without a certain margin of tran- quillity , truth succumbs . Hence , faced with the incitements to alteración which today reach us from every point of the com- pass and from every department of life , I believed that I should ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth