The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 35
... truth and at best , he has set down on the canvas a schematic selection , arbitrarily decided on by his mind , from ... truth and nothing but the truth , and failure would no longer be inevitable . In foregoing to emulate reality ...
... truth and at best , he has set down on the canvas a schematic selection , arbitrarily decided on by his mind , from ... truth and nothing but the truth , and failure would no longer be inevitable . In foregoing to emulate reality ...
Pagina 174
... truth is - a truth which I cannot now properly argue but can only state - that he has continually been creating thought , making it little by little , by dint of a discipline , a culture or cultiva- tion , a millennial effort over many ...
... truth is - a truth which I cannot now properly argue but can only state - that he has continually been creating thought , making it little by little , by dint of a discipline , a culture or cultiva- tion , a millennial effort over many ...
Pagina 186
... truth . Without a certain margin of tran- quillity , truth succumbs . Hence , faced with the incitements to alteración which today reach us from every point of the com- pass and from every department of life , I believed that I should ...
... truth . Without a certain margin of tran- quillity , truth succumbs . Hence , faced with the incitements to alteración which today reach us from every point of the com- pass and from every department of life , I believed that I should ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth