The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 42
... turn against Art itself ? For what is art , concretely speak- ing , if not such art as has been made up to now ? Should that enthusiasm for pure art be but a mask which conceals surfeit with art and hatred of it ? But , how can such a ...
... turn against Art itself ? For what is art , concretely speak- ing , if not such art as has been made up to now ? Should that enthusiasm for pure art be but a mask which conceals surfeit with art and hatred of it ? But , how can such a ...
Pagina 49
... turn encompasses the greatest number of particular facts - like a loom which with one stroke interlaces a thousand threads . I have been moved exclusively by the delight of trying to understand - and neither by ire nor by enthusiasm . I ...
... turn encompasses the greatest number of particular facts - like a loom which with one stroke interlaces a thousand threads . I have been moved exclusively by the delight of trying to understand - and neither by ire nor by enthusiasm . I ...
Pagina 106
... turn the center of vision . This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is ...
... turn the center of vision . This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth