The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 4
... unity every historical epoch presents throughout its various manifestations . One and the same inspiration , one and the same biological style , are recognizable in the several branches of art . The young musician - himself unaware of ...
... unity every historical epoch presents throughout its various manifestations . One and the same inspiration , one and the same biological style , are recognizable in the several branches of art . The young musician - himself unaware of ...
Pagina 107
... unity ; this is composition , or architecture . He continues to paint one object after another , like a primitive ; his visual apparatus func- tions on the same principle . But instead of limiting himself , like the primitive , to paint ...
... unity ; this is composition , or architecture . He continues to paint one object after another , like a primitive ; his visual apparatus func- tions on the same principle . But instead of limiting himself , like the primitive , to paint ...
Pagina 110
... unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or chiaroscuro imposes a unique point of view . The painter must now see his entire work as immersed in the ample ...
... unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or chiaroscuro imposes a unique point of view . The painter must now see his entire work as immersed in the ample ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth