The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 101
... vision and the distant vision of which physiology speaks are not notions that depend chiefly on measurable factors , but are rather two distinct ways of seeing . If we take up an object , an earthen jar , for ex- ample , and bring it ...
... vision and the distant vision of which physiology speaks are not notions that depend chiefly on measurable factors , but are rather two distinct ways of seeing . If we take up an object , an earthen jar , for ex- ample , and bring it ...
Pagina 102
... vision . Instead of fixing a proximate object , let the eye , passive but free , prolong its line of vision to the limit of the visual field . What do we find then ? The structure of our hierarchized elements disappears . The ocular ...
... vision . Instead of fixing a proximate object , let the eye , passive but free , prolong its line of vision to the limit of the visual field . What do we find then ? The structure of our hierarchized elements disappears . The ocular ...
Pagina 103
... vision has a tactile quality . What mys- terious resonance of touch is preserved by sight when it converges on a nearby object ? We shall not now attempt to violate this mystery . It is enough that we recognize this quasi - tactile ...
... vision has a tactile quality . What mys- terious resonance of touch is preserved by sight when it converges on a nearby object ? We shall not now attempt to violate this mystery . It is enough that we recognize this quasi - tactile ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth