The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 101
... vision and the distant vision of which physiology speaks are not notions that depend chiefly on measurable factors , but are rather two distinct ways of seeing . If we take up an object , an earthen jar , for ex- ample , and bring it ...
... vision and the distant vision of which physiology speaks are not notions that depend chiefly on measurable factors , but are rather two distinct ways of seeing . If we take up an object , an earthen jar , for ex- ample , and bring it ...
Pagina 102
... vision . Instead of fixing a proximate object , let the eye , passive but free , prolong its line of vision to the limit of the visual field . What do we find then ? The structure of our hierarchized elements disappears . The ocular ...
... vision . Instead of fixing a proximate object , let the eye , passive but free , prolong its line of vision to the limit of the visual field . What do we find then ? The structure of our hierarchized elements disappears . The ocular ...
Pagina 103
... vision has a tactile quality . What mys- terious resonance of touch is preserved by sight when it converges on a nearby object ? We shall not now attempt to violate this mystery . It is enough that we recognize this quasi - tactile ...
... vision has a tactile quality . What mys- terious resonance of touch is preserved by sight when it converges on a nearby object ? We shall not now attempt to violate this mystery . It is enough that we recognize this quasi - tactile ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth