The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 137
... vital " in juxtaposition , as my formula proposes . No one , in short , has talked about my " ratio - vitalism . " And even now , after I have emphasized it , how many can understand it , can understand the Critique of Vital Reason ...
... vital " in juxtaposition , as my formula proposes . No one , in short , has talked about my " ratio - vitalism . " And even now , after I have emphasized it , how many can understand it , can understand the Critique of Vital Reason ...
Pagina 140
... vital imperative , the has to be of personal vocation , situated in the most profound and primary region of our being . All the things of the intellect and the will are secondary , are actually a reaction pro- voked by our basic being ...
... vital imperative , the has to be of personal vocation , situated in the most profound and primary region of our being . All the things of the intellect and the will are secondary , are actually a reaction pro- voked by our basic being ...
Pagina 153
... vital program , our " entelechy " -there is no lack of names for the terrible reality which is our authentic I. This means that living is essentially an imperative basically opposite to that which Goethe proposes to us when he urges us ...
... vital program , our " entelechy " -there is no lack of names for the terrible reality which is our authentic I. This means that living is essentially an imperative basically opposite to that which Goethe proposes to us when he urges us ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth