The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 8
Pagina 132
... vocation . Thus we can be true to our vocation to a greater or lesser degree , and consequently have a life that is authentic to a greater or lesser degree . If the structure of human life is viewed in this light , the most important ...
... vocation . Thus we can be true to our vocation to a greater or lesser degree , and consequently have a life that is authentic to a greater or lesser degree . If the structure of human life is viewed in this light , the most important ...
Pagina 140
... vocation , situated in the most profound and primary region of our being . All the things of the intellect and the will are secondary , are actually a reaction pro- voked by our basic being . If the human intellect functions , it is ...
... vocation , situated in the most profound and primary region of our being . All the things of the intellect and the will are secondary , are actually a reaction pro- voked by our basic being . If the human intellect functions , it is ...
Pagina 146
... vocation . But what was his authentic vocation ? I am not going to abuse your patience by de- veloping the theory of vocation for you - it implies a whole philosophy . I should only like to call to your attention the fact that a vocation ...
... vocation . But what was his authentic vocation ? I am not going to abuse your patience by de- veloping the theory of vocation for you - it implies a whole philosophy . I should only like to call to your attention the fact that a vocation ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth