The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 132
If " vocation ” is not taken to mean what it commonly does -- merely a generic form of professional occupation , of the civil curriculum - but to mean an integral and individual program of existence ...
If " vocation ” is not taken to mean what it commonly does -- merely a generic form of professional occupation , of the civil curriculum - but to mean an integral and individual program of existence ...
Pagina 140
Man recognizes his I , his unique vocation , only through the liking or aversion aroused in him by each separate situation . Unhappiness , like the needle of a registering apparatus , tells him when his actual life realizes his vital ...
Man recognizes his I , his unique vocation , only through the liking or aversion aroused in him by each separate situation . Unhappiness , like the needle of a registering apparatus , tells him when his actual life realizes his vital ...
Pagina 146
But what was his authentic vocation ? I am not going to abuse your patience by developing the theory of vocation for you — it implies a whole philosophy . I should only like to call to your attention the fact that a vocation , although ...
But what was his authentic vocation ? I am not going to abuse your patience by developing the theory of vocation for you — it implies a whole philosophy . I should only like to call to your attention the fact that a vocation , although ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation whole young youth