The Dehumanization of Art: And Other Writings on Art and Culture |
Dall'interno del libro
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Pagina 132
He can refuse to realize it, he can be untrue to himself. Then his life lacks
authenticity. If "vocation" is not taken to mean what it commonly does— merely a
generic form of professional occupation, of the civil curriculum—but to mean an
integral ...
He can refuse to realize it, he can be untrue to himself. Then his life lacks
authenticity. If "vocation" is not taken to mean what it commonly does— merely a
generic form of professional occupation, of the civil curriculum—but to mean an
integral ...
Pagina 140
Man recognizes his I, his unique vocation, only through the liking or aversion
aroused in him by each separate situation. Unhappiness, like the needle of a
registering apparatus, tells him when his actual life realizes his vital program, his
en- 4.
Man recognizes his I, his unique vocation, only through the liking or aversion
aroused in him by each separate situation. Unhappiness, like the needle of a
registering apparatus, tells him when his actual life realizes his vital program, his
en- 4.
Pagina 146
But what was his authentic vocation? I am not going to abuse your patience by
developing the theory of vocation for you— it implies a whole philosophy. I
should only like to call to your attention the fact that a vocation, although it is
always ...
But what was his authentic vocation? I am not going to abuse your patience by
developing the theory of vocation for you— it implies a whole philosophy. I
should only like to call to your attention the fact that a vocation, although it is
always ...
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The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
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Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama existence expressionism fact feel Finland Station French genre German gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ICONOCLASM ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional Trans truth Velasquez vital vocation Weimar words young youth