The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 90
... whole world on his back . DECLINE AND PERFECTION The conditions so far mentioned merely define the level at which the novel begins ; they mark the waterline , as it were , of its continent . In the follow- ing we shall be concerned with ...
... whole world on his back . DECLINE AND PERFECTION The conditions so far mentioned merely define the level at which the novel begins ; they mark the waterline , as it were , of its continent . In the follow- ing we shall be concerned with ...
Pagina 101
... whole background is blurred , hardly identifiable , without accented form , reduced to confused masses of color . If it is not something to which we are accustomed , we cannot say what it is , exactly , that we see in this indirect ...
... whole background is blurred , hardly identifiable , without accented form , reduced to confused masses of color . If it is not something to which we are accustomed , we cannot say what it is , exactly , that we see in this indirect ...
Pagina 106
... whole . The pupil of our eye has to travel step by step along the canvas , pausing in the same point of view that the painter successively took . VIII RENAISSANCE Proximate vision is exclusive , since it apprehends each object in itself ...
... whole . The pupil of our eye has to travel step by step along the canvas , pausing in the same point of view that the painter successively took . VIII RENAISSANCE Proximate vision is exclusive , since it apprehends each object in itself ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth