The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 90
... whole world on his back . DECLINE AND PERFECTION The conditions so far mentioned merely define the level at which the novel begins ; they mark the waterline , as it were , of its continent . In the follow- ing we shall be concerned with ...
... whole world on his back . DECLINE AND PERFECTION The conditions so far mentioned merely define the level at which the novel begins ; they mark the waterline , as it were , of its continent . In the follow- ing we shall be concerned with ...
Pagina 101
... whole background is blurred , hardly identifiable , without accented form , reduced to confused masses of color . If it is not something to which we are accustomed , we cannot say what it is , exactly , that we see in this indirect ...
... whole background is blurred , hardly identifiable , without accented form , reduced to confused masses of color . If it is not something to which we are accustomed , we cannot say what it is , exactly , that we see in this indirect ...
Pagina 106
... whole . The pupil of our eye has to travel step by step along the canvas , pausing in the same point of view that the painter successively took . VIII RENAISSANCE Proximate vision is exclusive , since it apprehends each object in itself ...
... whole . The pupil of our eye has to travel step by step along the canvas , pausing in the same point of view that the painter successively took . VIII RENAISSANCE Proximate vision is exclusive , since it apprehends each object in itself ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth