The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 57
... words . What is the difference be- tween such a report and the novel itself ? Certainly not the style . The crucial ... word would be " pre- sentative . " The imperative of the novel is autopsy . No good telling us what a person is , we ...
... words . What is the difference be- tween such a report and the novel itself ? Certainly not the style . The crucial ... word would be " pre- sentative . " The imperative of the novel is autopsy . No good telling us what a person is , we ...
Pagina 61
... words and in this form holds no interest . A summary narration is not to our taste ; we want the novelist to linger ... word " episode " is absurd ; a work made of episodes would be like a meal composed of side dishes . ) And I found to ...
... words and in this form holds no interest . A summary narration is not to our taste ; we want the novelist to linger ... word " episode " is absurd ; a work made of episodes would be like a meal composed of side dishes . ) And I found to ...
Pagina 166
... words which , merely from having been worn down , like old coins , are no longer able to convey their meaning to us ... word , ensimismamiento , literally , " within- one - self - ness , " by extension , " reflection , " " contempla ...
... words which , merely from having been worn down , like old coins , are no longer able to convey their meaning to us ... word , ensimismamiento , literally , " within- one - self - ness , " by extension , " reflection , " " contempla ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth