Aesthetic as Science of Expression and General LinguisticMacmillan, 1929 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 72
... become in respect to the vocabulary fixed upon by him as true , metaphors , synec- doches , synonyms , elliptical forms and the like . We ourselves in the course of this treatise have several times made use of , and intend again to make ...
... become in respect to the vocabulary fixed upon by him as true , metaphors , synec- doches , synonyms , elliptical forms and the like . We ourselves in the course of this treatise have several times made use of , and intend again to make ...
Pagina 133
... become compound . The problem of the origin of art , historically under- stood , is only justified when it is ... becomes ) , cannot be called a law , and if it be given as a law , becomes identical with the law of progress in the sense ...
... become compound . The problem of the origin of art , historically under- stood , is only justified when it is ... becomes ) , cannot be called a law , and if it be given as a law , becomes identical with the law of progress in the sense ...
Pagina 299
... become a work of art should show itself capable of such transforma- tion ; otherwise we have but an imperfect union of poetic form with prosaic and incongruous content . An ideal content must gleam through the sensible form ; the form ...
... become a work of art should show itself capable of such transforma- tion ; otherwise we have but an imperfect union of poetic form with prosaic and incongruous content . An ideal content must gleam through the sensible form ; the form ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians amongst appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Danzel distinction doctrine elements existence expression external faculty feeling figurative arts Francesco de Sanctis genius Giambattista Vico Hegel Herbart Herbartian Herder human idea ideal imagination imitation individual intellectual intuition intuitive knowledge Italian Italy judgement Kant language lectures Leibniz Leipzig Linguistic literary logical matter means metaphysical moral Naples natural beauty object perfection philo philosophy physical Plato pleasing pleasure poet poetic poetry principle produced psychological pure reality reason reflexion representation Rhetoric Saggi Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sec sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles Winckelmann words writers Zimmermann