Aesthetic as Science of Expression and General LinguisticMacmillan, 1929 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 34
... Given the Gerusalemme liberata , the allegory was imagined afterwards ; given the Adone of Marino , the poet of the lascivious afterwards insinuated that it was written to show how " immoderate indulgence ends in pain " ; given a statue ...
... Given the Gerusalemme liberata , the allegory was imagined afterwards ; given the Adone of Marino , the poet of the lascivious afterwards insinuated that it was written to show how " immoderate indulgence ends in pain " ; given a statue ...
Pagina 115
... Given particular arts , distinct and limited , of the arts . it was asked : Which is the most powerful ? Do we not obtain more powerful effects by uniting several ? We know nothing of this : we know only that in each parti- cular case ...
... Given particular arts , distinct and limited , of the arts . it was asked : Which is the most powerful ? Do we not obtain more powerful effects by uniting several ? We know nothing of this : we know only that in each parti- cular case ...
Pagina 121
... given activity be judged by a different activity ? The critic may be a small genius , the artist a great one ; the former may have the strength of ten , the latter of a hundred ; the former , in order to reach a certain height , will ...
... given activity be judged by a different activity ? The critic may be a small genius , the artist a great one ; the former may have the strength of ten , the latter of a hundred ; the former , in order to reach a certain height , will ...
Altre edizioni - Visualizza tutto
Esthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians amongst appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Danzel distinction doctrine elements existence expression external faculty feeling figurative arts Francesco de Sanctis genius Giambattista Vico Hegel Herbart Herbartian Herder human idea ideal imagination imitation individual intellectual intuition intuitive knowledge Italian Italy judgement Kant language lectures Leibniz Leipzig Linguistic literary logical matter means metaphysical moral Naples natural beauty object perfection philo philosophy physical Plato pleasing pleasure poet poetic poetry principle produced psychological pure reality reason reflexion representation Rhetoric Saggi Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sec sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles Winckelmann words writers Zimmermann