Aesthetic as Science of Expression and General LinguisticMacmillan, 1929 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 74
Pagina 160
... hand serve a rational end . Hence the search for the external end of art , which takes the place of the search for the essence or internal end . When art had been lowered to the level of a simple pleasurable illusion , an inebriation of ...
... hand serve a rational end . Hence the search for the external end of art , which takes the place of the search for the essence or internal end . When art had been lowered to the level of a simple pleasurable illusion , an inebriation of ...
Pagina 372
... hand with which Zimmermann first slips the characteristic into the relations of pure form , thereby entirely altering Herbart's original thought ; and how , by a second trick , he here introduces into pure beauty the variations and ...
... hand with which Zimmermann first slips the characteristic into the relations of pure form , thereby entirely altering Herbart's original thought ; and how , by a second trick , he here introduces into pure beauty the variations and ...
Pagina 373
... hand a delight comparable only with that felt by the ear when listening to the majestic fugues of Bach or the suave melodies of Mozart . " Vischer does not seem to be far wrong in declaring formalistic Esthetic to be " a grotesque union ...
... hand a delight comparable only with that felt by the ear when listening to the majestic fugues of Bach or the suave melodies of Mozart . " Vischer does not seem to be far wrong in declaring formalistic Esthetic to be " a grotesque union ...
Altre edizioni - Visualizza tutto
Esthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians amongst appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Danzel distinction doctrine elements existence expression external faculty feeling figurative arts Francesco de Sanctis genius Giambattista Vico Hegel Herbart Herbartian Herder human idea ideal imagination imitation individual intellectual intuition intuitive knowledge Italian Italy judgement Kant language lectures Leibniz Leipzig Linguistic literary logical matter means metaphysical moral Naples natural beauty object perfection philo philosophy physical Plato pleasing pleasure poet poetic poetry principle produced psychological pure reality reason reflexion representation Rhetoric Saggi Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sec sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles Winckelmann words writers Zimmermann