Aesthetic as Science of Expression and General LinguisticMacmillan, 1929 - 503 pagine |
Dall'interno del libro
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Pagina 132
... origin of art becomes at once evident . We should note that by this formula many different things have in turn been included on many different occasions . Origin has often meant nature or character of the artistic fact , in which case ...
... origin of art becomes at once evident . We should note that by this formula many different things have in turn been included on many different occasions . Origin has often meant nature or character of the artistic fact , in which case ...
Pagina 225
... origin of languages and the origin of letters . " This discovery was made by Vico after " toil as disagreeable and overwhelming as we should undergo had we to strip off our own nature and enter into that of the primæval men of Hobbes ...
... origin of languages and the origin of letters . " This discovery was made by Vico after " toil as disagreeable and overwhelming as we should undergo had we to strip off our own nature and enter into that of the primæval men of Hobbes ...
Pagina 330
... origin of language , recognizing , with his master , that the question of its origin is identical with that of nature of language , its psychological genesis or rather the position it occupies in evolution of the spirit . " In the ...
... origin of language , recognizing , with his master , that the question of its origin is identical with that of nature of language , its psychological genesis or rather the position it occupies in evolution of the spirit . " In the ...
Altre edizioni - Visualizza tutto
Esthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians amongst appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Danzel distinction doctrine elements existence expression external faculty feeling figurative arts Francesco de Sanctis genius Giambattista Vico Hegel Herbart Herbartian Herder human idea ideal imagination imitation individual intellectual intuition intuitive knowledge Italian Italy judgement Kant language lectures Leibniz Leipzig Linguistic literary logical matter means metaphysical moral Naples natural beauty object perfection philo philosophy physical Plato pleasing pleasure poet poetic poetry principle produced psychological pure reality reason reflexion representation Rhetoric Saggi Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sec sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles Winckelmann words writers Zimmermann