Aesthetic as Science of Expression and General LinguisticMacmillan, 1929 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 64
Pagina 19
... particular manner ; that is to say , it is a merely physical and natural fact or concept . But expression does not ... particular expressions particular impressions . For the rest , every impression excludes other impressions during ХХ ...
... particular manner ; that is to say , it is a merely physical and natural fact or concept . But expression does not ... particular expressions particular impressions . For the rest , every impression excludes other impressions during ХХ ...
Pagina 114
... particular arts . particular arts are imagined , to answer such questions as What are the limits of each art ? What can be represented with colours , and what with sounds ? What with simple monochromatic lines and what with touches of ...
... particular arts . particular arts are imagined , to answer such questions as What are the limits of each art ? What can be represented with colours , and what with sounds ? What with simple monochromatic lines and what with touches of ...
Pagina 295
Benedetto Croce. " " far as it is God in a particular form ; every idea , therefore , is equal to God , but to a particular god . Characteristic of all the gods is pure limitation and indivisible absolute- ness Minerva is the idea of ...
Benedetto Croce. " " far as it is God in a particular form ; every idea , therefore , is equal to God , but to a particular god . Characteristic of all the gods is pure limitation and indivisible absolute- ness Minerva is the idea of ...
Altre edizioni - Visualizza tutto
Esthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians amongst appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Danzel distinction doctrine elements existence expression external faculty feeling figurative arts Francesco de Sanctis genius Giambattista Vico Hegel Herbart Herbartian Herder human idea ideal imagination imitation individual intellectual intuition intuitive knowledge Italian Italy judgement Kant language lectures Leibniz Leipzig Linguistic literary logical matter means metaphysical moral Naples natural beauty object perfection philo philosophy physical Plato pleasing pleasure poet poetic poetry principle produced psychological pure reality reason reflexion representation Rhetoric Saggi Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sec sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles Winckelmann words writers Zimmermann