Aesthetic as Science of Expression and General LinguisticMacmillan, 1929 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 257
... Principle , in which the author attempted a unifica- tion of all the different rules laid down by the writers of treatises . All such rules ( says Batteux ) are branches emerging from one trunk ; he who possesses the simple principle ...
... Principle , in which the author attempted a unifica- tion of all the different rules laid down by the writers of treatises . All such rules ( says Batteux ) are branches emerging from one trunk ; he who possesses the simple principle ...
Pagina 353
... principle by asserting that all other characters ( order , harmony , proportion , symmetry , simplicity , unity and variety ) have significance only by their subordination to the principle of expression.2 In opposition to Malaspina's ...
... principle by asserting that all other characters ( order , harmony , proportion , symmetry , simplicity , unity and variety ) have significance only by their subordination to the principle of expression.2 In opposition to Malaspina's ...
Pagina 457
... principle itself to keep the principle and deny the need for a classification , as Lotze did , was obviously inconsistent . But not a single ęsthetician has ever re - examined or investigated the scientific foundation of the ...
... principle itself to keep the principle and deny the need for a classification , as Lotze did , was obviously inconsistent . But not a single ęsthetician has ever re - examined or investigated the scientific foundation of the ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Ęsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract ęsthetic activity ęsthetic fact ęstheticians amongst appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Danzel distinction doctrine elements existence expression external faculty feeling figurative arts Francesco de Sanctis genius Giambattista Vico Hegel Herbart Herbartian Herder human idea ideal imagination imitation individual intellectual intuition intuitive knowledge Italian Italy judgement Kant language lectures Leibniz Leipzig Linguistic literary logical matter means metaphysical moral Naples natural beauty object perfection philo philosophy physical Plato pleasing pleasure poet poetic poetry principle produced psychological pure reality reason reflexion representation Rhetoric Saggi Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sec sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles Winckelmann words writers Zimmermann