Aesthetic as Science of Expression and General LinguisticMacmillan, 1929 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 67
Pagina 97
... produced expression or intuition . If that be called the object or physical stimulus in which the practical concomitant acts , or ( to use physical terms ) in which the movements have been isolated and made in some sort permanent , and ...
... produced expression or intuition . If that be called the object or physical stimulus in which the practical concomitant acts , or ( to use physical terms ) in which the movements have been isolated and made in some sort permanent , and ...
Pagina 120
... produced , or to strive to undo and do again for the worse what he has done well in artistic spontaneity . An ... produces it . The only difference lies in the diversity of circumstances , since in the one case it is a question of ...
... produced , or to strive to undo and do again for the worse what he has done well in artistic spontaneity . An ... produces it . The only difference lies in the diversity of circumstances , since in the one case it is a question of ...
Pagina 128
... produced , and consequently reproduction and judgement are made possible , shows how important is the function fulfilled by historical research in relation to artistic and literary works which is what is usually called historical ...
... produced , and consequently reproduction and judgement are made possible , shows how important is the function fulfilled by historical research in relation to artistic and literary works which is what is usually called historical ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians amongst appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Danzel distinction doctrine elements existence expression external faculty feeling figurative arts Francesco de Sanctis genius Giambattista Vico Hegel Herbart Herbartian Herder human idea ideal imagination imitation individual intellectual intuition intuitive knowledge Italian Italy judgement Kant language lectures Leibniz Leipzig Linguistic literary logical matter means metaphysical moral Naples natural beauty object perfection philo philosophy physical Plato pleasing pleasure poet poetic poetry principle produced psychological pure reality reason reflexion representation Rhetoric Saggi Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sec sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles Winckelmann words writers Zimmermann