Aesthetic as Science of Expression and General LinguisticMacmillan, 1929 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 3
... reality , the apprehension of something as real . Certainly perception is intuition : the perceptions of the room in ... reality and non - reality is extraneous , secondary , to the true nature of intuition . If we imagine a human mind ...
... reality , the apprehension of something as real . Certainly perception is intuition : the perceptions of the room in ... reality and non - reality is extraneous , secondary , to the true nature of intuition . If we imagine a human mind ...
Pagina 296
... reality ; by its means we are capable of apprehending objects higher than those of common cognition and of recognizing in them the idea itself as real also , in art , it is the faculty of transforming the idea into reality . " It ...
... reality ; by its means we are capable of apprehending objects higher than those of common cognition and of recognizing in them the idea itself as real also , in art , it is the faculty of transforming the idea into reality . " It ...
Pagina 320
Benedetto Croce. Independence of art . towards representation of natural reality . An artist must not fall into the abstractness of the type or into the unmeaningness of empirical reality . If in flower - paint- ing it is necessary to ...
Benedetto Croce. Independence of art . towards representation of natural reality . An artist must not fall into the abstractness of the type or into the unmeaningness of empirical reality . If in flower - paint- ing it is necessary to ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Ęsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract ęsthetic activity ęsthetic fact ęstheticians amongst appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Danzel distinction doctrine elements existence expression external faculty feeling figurative arts Francesco de Sanctis genius Giambattista Vico Hegel Herbart Herbartian Herder human idea ideal imagination imitation individual intellectual intuition intuitive knowledge Italian Italy judgement Kant language lectures Leibniz Leipzig Linguistic literary logical matter means metaphysical moral Naples natural beauty object perfection philo philosophy physical Plato pleasing pleasure poet poetic poetry principle produced psychological pure reality reason reflexion representation Rhetoric Saggi Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sec sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles Winckelmann words writers Zimmermann