Aesthetic as Science of Expression and General LinguisticMacmillan, 1929 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 299
... sensible appear- ance of the Idea . ” 1 The Idea is the content of art : its sensible and imaginative configuration ; its form two elements which must interpenetrate and form a whole , hence the necessity that a content destined to ...
... sensible appear- ance of the Idea . ” 1 The Idea is the content of art : its sensible and imaginative configuration ; its form two elements which must interpenetrate and form a whole , hence the necessity that a content destined to ...
Pagina 355
... sensible or fantastic , art is a propedeutic to the true and the good . Gioberti is of opinion that Hegel was wrong in detaching natural beauty from Esthetic , for perfect beauty of nature is " the full corre- spondence of sensible ...
... sensible or fantastic , art is a propedeutic to the true and the good . Gioberti is of opinion that Hegel was wrong in detaching natural beauty from Esthetic , for perfect beauty of nature is " the full corre- spondence of sensible ...
Pagina 406
... sensible . Siebeck borrows the theory of modifications of the beautiful from the metaphysical idealists , who held that only in such modifications can beauty be found in the concrete , just as humanity can only exist as a man of ...
... sensible . Siebeck borrows the theory of modifications of the beautiful from the metaphysical idealists , who held that only in such modifications can beauty be found in the concrete , just as humanity can only exist as a man of ...
Altre edizioni - Visualizza tutto
Esthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians amongst appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Danzel distinction doctrine elements existence expression external faculty feeling figurative arts Francesco de Sanctis genius Giambattista Vico Hegel Herbart Herbartian Herder human idea ideal imagination imitation individual intellectual intuition intuitive knowledge Italian Italy judgement Kant language lectures Leibniz Leipzig Linguistic literary logical matter means metaphysical moral Naples natural beauty object perfection philo philosophy physical Plato pleasing pleasure poet poetic poetry principle produced psychological pure reality reason reflexion representation Rhetoric Saggi Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sec sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles Winckelmann words writers Zimmermann